Champollion, following a similar path, initially downplayed the phonetic element of the script. His first thought was that hieroglyphs represented sounds predominantly when they were employed to write non-Egyptian names. Later, after his fainting episode, he realised that phonetics were in fact a central component of the script and could be used to denote Egyptian names too. A single sound, he showed, could be represented by more than one hieroglyph. This was not just a script, he realised, but a spoken language.
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